Research

Articles:

Melbye, A. P. (2022). Feedback: Introduction. Echo: a journal of music, thought and technology, 3.
https://echo.orpheusinstituut.be/article/feedback-introduction

Melbye, A. P. (2022). A continuously receding Horizon. Echo: a journal of music, thought and technology, 3.
https://echo.orpheusinstituut.be/article/a-continuously-receding-horizon

Stapleton, P., Bowers, J., & Melbye, A. P. (2022). The Virtual is Material: Music Improvisation in Post-Digital Ecologies. Volume 21, 21(1).
https://www.bstjournal.com/article/id/8046/

Melbye, A. P. (2021). Resistance, Mastery, Agency: Improvising with the feedback-actuated augmented bass. Organised Sound, 26(1), 19-30.
https://www.cambridge.org/core/journals/organised-sound/article/resistance-mastery-agency-improvising-with-the-feedbackactuated-augmented-bass/26E5FF6C99248914AF69EA4F0F030573

Conference papers:

Masu, R., Melbye, A. P., Sullivan, J., & Jensenius, A. R. (2021). NIME and the Environment: Toward a More Sustainable NIME Practice.
https://www.researchgate.net/publication/352538745_NIME_and_the_Environment_Toward_a_More_Sustainable_NIME_Practice_CCS_Concepts

Ăšlfarsson, H., & Melbye, A. P. (2020). Sculpting the behaviour of the Feedback-Actuated Augmented Bass: Design strategies for subtle manipulations of string feedback using simple adaptive algorithms. New Interfaces for Musical Expression, Birmingham City University.
https://www.researchgate.net/publication/344397730_Sculpting_the_behaviour_of_the_Feedback-Actuated_Augmented_Bass_Design_strategies_for_subtle_manipulations_of_string_feedback_using_simple_adaptive_algorithms